hindi dubbed anime list

 

 

Did you know? Mowgli was one of the first anime characters that Indians were familiar with thanks to The Jungle Book, which was produced by the Japanese company Nippon Animation. The love of anime appears to be the first shared interest between millennials and Generation Z. The number of Gen Z kids watching well-known anime series like Naruto and Dragon Ball Z has increased over the past couple of years, as have online searches for anime. We have a list of the best Hindi dubbed anime of all time! 

these anime are the best in the best hindi dubbed anime it rally be worth to watch tease anime.so lests start our list.

1. BLOOD OF ZEUS

 

blood of zeus is a new anime from Netflix with a fresh but faithful take on Greek mythology. Created by Charley and Vlas Parlapanides, the series follows Heron, a young man shunned from his village for being illegitimate, who discovers that he is actually the son of the god Zeus. As discord between the gods escalates and demons threaten the safety of the mortal realm, Heron must work to save it all from destruction. Blood of Zeus is produced by Powerhouse Animation, the same studio as another hit Netflix anime, Castlevania. 

Where Castlevania is a part of the horror genre, Blood of Zeus simply borrows some horror elements, and is more of a fantasy/adventure tale. Though it makes some notable departures from Greek myth, the series honors its source material by elevating certain concepts to emphasize their mythic roots.

In the first episode, “A Call to Arms,” Blood of Zeus explains that it is telling a lost chapter of Greek myth, passed on through an oral history but never written down. In doing so, the series cleverly gives itself the option to take creative liberties in the interest of the story, but also keeps the door open to retell classic tales, or at least to reference well-established characters and stories, like Perseus and Medusa or Hercules. Many well known characters make appearances, from the centaur Chiron to the three Fates.

Blood of Zeus features many stories from Greek myth that are heightened to raise the stakes of the series, such as Hera’s anger towards Zeus for his infidelity, or the role of the giants that fought against the gods for dominance after the fall of the Titans. Some of the show’s characters, such as Heron and Seraphim, do not have direct counterparts in Greek myth. However, they all have ties back to a concept or story, and blend seamlessly into the world of the series.

It’s also interesting to see Heron struggle with typical daddy issues, but in this case his father is an all-powerful god. It gives a little more punch to this refusal of nature than what’s typically seen. Derek Phillips feels like a really natural fit for Heron and he brings a great quality to the performance. The entire cast does strong work here and treats their roles with the utmost respect. They really elevate these archetypes into three-dimensional figures.our main charecter Heron begins on a number of quests and challenges that help him acquire important weapons and build the skills that he needs to turn into the hero that he’s destined to become. Blood of Zeus features big set pieces in each episode and keeps the action moving along, but it’s impressive to see how it takes its time with some of the larger storytelling that surrounds Heron. Every installment contains immediate payoffs and also moments that enrich the larger battle that’s at hand.

 

The character designs, especially for Heron, are statuesque figures and the kind of body type that’d be depicted on vases or mosaics on walls. It’s a style that works for the show and helps Blood of Zeus stand out slightly from other series. The animation in general is really stunning stuff. The series brings vast and busy landscapes to life and does some impressive stuff when it comes to light. Certain scenes are bathed in purple, green, or blue, and it gives the supernatural elements of the series even more personality and style. Even the calm moments of reflection look amazing thanks to details like sunsets and sprawling flora and fauna. There’s a sequence that involves a character’s soul crossing the River Styx that’s evocative and unnerving, but also speaks to the series’ unique take on old ideas.

It’s also just a delight to watch these ambitious battle sequences play out. These action set pieces are detailed and excessive, but there are so many other opportunities where Blood of Zeus leans into the mythical deity angle and gets more experimental with its animation and the way that it tells its story. Storyboards for the biggest moments from each episode play over the episode’s end credits and it’s a fascinating glimpse into the process that’s more exciting than a tease for the next episode.

 

Blood of Zeus quickly proves that it cares about the theatrics and creativity of its action sequences just as much as it does its characters. The series delivers heavily on the action and features exaggerated exchanges that help establish its tone and pace. It’s a show where decapitations aren’t enough so instead characters’ heads get sliced in half. There’s a whole ceremony for drawing a demon out of someone that’s particularly inventive and brutal. To the credit of Blood of Zeus, there are many fight scenes, but all of them bring something different to the battle and feel unique and not just a rehash of past dangers.

 

 

2. GRAVE OF THE FIREFLIES

 

Shortly after the end of World War II, a young teenage boy named Seita dies at a train station. A janitor passes by and checks for the boy’s belongings. The man eventually finds an old candy tin, but decides to throw it away. Meanwhile, the spirit of a young girl (Setsuko) appears from the candy tin. Seita and Setsuko reunite and the siblings board on a train.

During World War II, the siblings lose their house, the bombings were gradually destroying their entire city. Although they manage to escape, their mother ends up dying from severe burns. Without any close relatives to take care of them, Seita and Setsuko end up living with a distant aunt. The woman encourages Seita to sell his mother’s kimonos in exchange for some rice and the boy complies.

As time passed by, the aunt becomes increasingly hostile towards the siblings due to food scarcity. Incapable of coping with his aunt’s constant negative remarks, Seita and Setsuko move into an abandoned shelter.

The siblings bring a couple of fireflies into the shelter to get some light. However, the morning after Setsuko finds out that the fireflies are dead. Upset, the little girl digs a small grave and buries them. At this point, Setsuko is aware that her mother is dead.

 

Unable to buy food, Seita starts stealing from local farmers and looting homes during bombings. One day, a local farmer catches Seita stealing his crops and severely beats the young teenager. Nonetheless, the local police decides to let Seita go.

Due to constant famine, Setsuko is already showing signs of malnutrition. Seita takes her to doctor, but to no avail. No one around them is willing to help. Desperate, Seita withdraws all her mother’s money to buy some food supplies. As he walks out, Seita learns that Japan has lost the war. With most of Japan’s navy gone, the boy’s father is presumably dead as he was a captain at the Imperial Japanese Navy.

Seita returns to shelter with food and finds Setsuko on her last dying breath. He rushes to feed her some watermelon, but Setsuko dies before Seita finishes preparing her a full meal.

After Setsuko’s death, Seita cremates his sister in a straw casket and collects some of her ashes to put inside a candy tin. When Seita dies, the siblings’ spirits reunite and overlook their city with a present-day view.

my thoughts 

The Grave of the Fireflies is a beautiful and tragic tale about two children forced to grow up too soon. Personally, I’m thankful that the director prepared the viewers in advance for the impact. Right when the film starts, the director lets the audience know that Seita and Setsuko are already dead. That alone sounds awful enough, but the whole film would’ve been way worse (on an emotional level) if no one saw the tragic ending coming.

Is the Grave of the Fireflies an anti-war film? That’s up to the viewer. Personally, I don’t see the Grave of the Fireflies as a cautionary tale. It feels more like a documentary showing what was like to live in Japan during the final years of World War II. What Seita and Setsuko went through was pretty universal during those times: there were children and adults from all around the world that went through what the main characters did in the film.

The ending of the Grave of the Fireflies is definitely haunting and bittersweet. On one hand, it’s a terrible thing to know that our main characters died of starvation. But on the other hand, it’s comforting to watch the siblings’ souls reuniting after their death. It provides a sense of closure.

Now, from of all the Ghibli films that I’ve seen so far, Grave of the Fireflies is definitely the saddest one. There are no plot twists, no magic and no saviour in this film. The story is very simple, the viewers learn about Seita and Setsuko’s final fate right from the start, the only question remaining was how did they die. That information of course, prevents the viewers from fully enjoying the main characters’ brief moments of joy, because we can’t help to think that it’s not going to last.

In hindsight, the presence of fireflies in the film is sort of a metaphor for Seita and Setsuko. As bright as fireflies can be, they don’t live for very long. For a very brief moment, we see Seita and Setsuko trying to make the best out their current situation and as viewers we try to root for them, despite of knowing how their story ends.

Overall, Grave of the Fireflies is one those films that has to power to change one’s perspective on life. There were mainly two feelings that came up after watching the film: first, gratitude, then, anger. Let’s start with the gratitude. Watching Seita and Setsuko struggle about simple things such as food (or the lack of) was a great reminder of how fortunate most of us are when we take simple luxuries such as food and shelter for granted.

As I said before, there was also a lot of anger while and after watching the Grave of the Fireflies. The aunt definitely got into my nerves. First, she takes the boy’s mother’s kimonos. Then, she sells them in exchange for some rice. That’s not the worst part of course. Once that woman gets her hands on the rice, she’s not willing to share it with Seita and Setsuko. That the rice was also rightfully theirs. The audacity! However, the anger does not end here, there is more. After watching the film, it really struck me how pointless war is. I already knew that, but the Grave of the Fireflies really reinforced that idea. So many people died… For what? The silence says it all, for nothing.

The Grave of the Fireflies is a heart-breaking film and it’s almost impossible to watch it without shedding a couple of tears. Nonetheless, the film is visually beautiful with a strong story that stands the test of time. Having said that, the Grave of the Fireflies is definitely a noteworthy watch because it’s both a classic and a masterpiece.

 

 

 3. YOUR NAME 

 

High school girl Mitsuha Miyamizu lives in the town of Itomori in Japan's mountainous Hida region. She is bored with the country life, and wishes to be a handsome boy in her next life. She begins switching bodies intermittently with Taki Tachibana, a high school boy in Tokyo when they wake up. They communicate by writing messages on paper, their phones, and sometimes on each other's skin. Mitsuha causes Taki to develop a relationship with his coworker Miki Okudera, while Taki causes Mitsuha to become popular in school.

One day, Taki, as Mitsuha, accompanies her grandmother and sister to leave the ritual alcohol kuchikamizake, made by Mitsuha, as an offering at the shrine on a mountaintop outside the town. The shrine is believed to represent the body of the village guardian god who rules human experiences and connections. Mitsuha's latest note tells Taki about a comet expected to pass Earth on the day of her town festival.

Next day, Taki wakes up in his body. After an unsuccessful date with Miki, he tries to call Mitsuha, but cannot reach her, and the body switching ends. He decides to visit Itomori, but does not know its name, his memories of it are fading, and Mitsuha's messages have disappeared. A restaurant owner in Hida finally recognizes Itomori from Taki's sketch and tells him when the comet unexpectedly split into two, the smaller one crashed onto Earth and destroyed the town. Taki finds Mitsuha's name in the records of fatalities and discovers the date of the disaster, realizing their timelines were separated by three years.

Taki goes to the shrine to drink Mitsuha's kuchikamizake, hoping to reconnect with her body and warn her of the comet strike. Through a vision, Taki discovers that Mitsuha, having fallen in love with him, met his past self while trying to meet him personally. He wakes in her body on the morning of the town festival; Mitsuha's grandmother deduces his identity, and tells him the body switching is part of the Miyamizu family history as caretakers of the shrine. He convinces Mitsuha's friends Katsuhiko Teshigawara and Sayaka Natori to help evacuate the town by cutting the power and broadcasting a false emergency alert, but the plan fails. He realizes that Mitsuha must be in his body at the shrine and goes back to find her.

Mitsuha wakes up in Taki's body at the shrine. When Taki reaches the shrine as the sun sets they sense each other's presence, but are separated by three years. However, when twilight falls, they return to their own bodies and meet. They attempt to write each other's names on their hands so they will remember each other, but twilight passes and Mitsuha disappears before she can write hers.

As Mitsuha races back to town to convince her estranged father, the Itomori mayor, to evacuate the town, her memories of Taki start to fade. She realizes that Taki wrote "I love you" on her hand instead of his name. The comet piece crashes to Earth, destroying Itomori. Taki wakes up in his own time at the shrine, remembering nothing.

Five years later, Taki has graduated from university and is searching for a job. He senses he is missing something important and learns that inhabitants of Itomori survived by following the mayor's order. One day, Taki and Mitsuha see each other when their trains draw parallel, and are compelled to disembark and search for one another, finally meeting on a staircase. Feeling they have met before, they simultaneously ask for each other's name.

 

this anime is one of my favorate romance anime and i really love the charecters of this movie and the story line of this movie is very hart touching once you have to watch this anime romance movie so allover this movie is great and you have to give it a watch once.

 

4. THE SILENT VOICE

 

Shoya is a young teenage boy who is trying to end his life. However, he changes his mind at the last minute and decides not to jump off the bridge. Shortly after, Shoya starts recalling the events that led him to that moment.

When Shoya was in elementary school, he used to taunt a girl named Shoko, a transfer student. At the time, other classmates also joined Shoya and began making fun of Shoko because of her disability: the girl is deaf. The bullying escalates and the school starts demanding for some answers. Although there were many culprits, the school deemed Shoya guilty of bullying Shoko. Shortly after, the whole school starts to shun Shoya.

As an outcast, Shoya becomes a victim of bullying too. Unable to cope with his current situation, Shoya takes his anger on Shoko and the two get into a physical fight. After the incident, Shoko transfers to another school. Branded as the guy who bullied a deaf girl, Shoya found himself alone at school. Unable to make new friends and being constantly reminded of his past makes Shoya fall into a deep depression.

One day, Shoya helps another loner (Tomohiro) getting rid of a bully and the two become friends. As an attempt to make amends with his past, Shoya goes looking for Shoko. The boy finds her at a sign language centre and informs Shoko that he has her notebook (from elementary school). At first, Shoko is confused. But then, she decides to give Shoya a chance to prove himself.

 

Shoya starts going to the sign language centre more often to see Shoko. However, during the first few days a little boy by the name Yuzuru blocks all of his attempts to see Shoko. Later on, Shoya finds out that Yuzuru is not a boy, she is actually Shoko’s little sister.

During their meetings, Shoko and Shoya encounter many people from their past. In order to spend more time with Shoko, Shoya invites her to an amusement park along with other familiar faces. Naoka also shows up and forces Shoko to go with her on a Ferris wheel ride. Once Naoka was alone with Shoko, she starts blaming her for what happened to Shoya. Those words prompts Shoko to admit that she hates herself. Naoka loses her temper and slaps Shoko. Thanks to Yuzuru’s camera, Shoya and Shoko’s sister are now aware of what happened during that ride.

The group gathers once more, but things get tense and they start blaming each about what happened to Shoko back in the day. Shoya is extremely upset at their toxic behaviour and refuses to engage. Meanwhile, Shoko’s grandmother passes away. Therefore, Shoya decides to take the sisters to the countryside to cheer them up.

Shoya, Shoko and her family attend the fireworks festival together but then, Shoko excuses herself under the pretext of having some school work to do. Yuzuru forgot her camera at home, so she asks Shoya to go to their house and get it for her. When Shoya arrives at the girls’ apartment, he sees Shoko at the balcony. At first, he thought Shoko was admiring the fireworks, but then, Shoya quickly realizes that Shoko is trying to end her life. Therefore, he runs towards her and catches her. Although Shoya manages to save Shoko, he falls and enters into a deep coma.

 

In order to “repay” Shoya, Shoko reaches out to his old friends and explains them what happened. One day, Shoko dreams about Shoya saying goodbye to her and this prompts her to run to the bridge where they used to feed koi fish. Meanwhile, Shoya wakes up from his coma and runs frantically looking for Shoko. He stumbles upon her at the bridge and they both apologize to each other. Shoko feels immense guilt for what happened to Shoya after she left. However, Shoya wants Shoko to continue her life without that guilt. After confessing that he also once attempted to end his life, Shoya asks Shoko to help him continue to live.

Shoya makes his return to school. It’s school festival day and Shoko is there to provide him support. Meanwhile, a group of friends greet Shoya and give him a very warm welcome. Seeing so many people care about him makes Shoya burst into tears of joy. At this point, Shoya no longer avoids eye contact with other people and the “X” mark on their faces falls off.

my thought

 

A Silent Voice is a beautiful tale about atonement. The film tackles a lot of sensitive issues such as bullying and suicide and it does it in a quite brilliant way. Shoya, the protagonist, starts as an awful boy who cruelly bullies a deaf girl. His despicable actions lead his classmates to turn on him. At first, it looks like Shoya is getting what he deserves. However, things take a sad turn once the viewer realizes that Shoya has now become a victim of bullying too.

Watching A Silent Voice is quite an emotional journey, because it shows that people shouldn’t be solely defined by their past. For instance, Shoya starts as a bully but in end he becomes a much better person thanks to Shoko and others. As a matter of fact, many will even find themselves rooting for Shoya to forgive himself so the story can the happy ending that it deserves. In addition, it was refreshing to see Shoko becoming stronger and more proactive towards her own happiness.

Naoka is probably one of the most controversial characters in A Silent Voice. She’s not nice, that’s for sure. However, Naoka deserves some merit for being true to herself. She does not try to “act nice”, just because others are expecting her to do so. Before the bullying incident, Naoka and Shoya were in the same clique and Shoko’s arrival disrupted that whole dynamic. That’s why Naoka “hates” Shoko and slapped her in the Ferris wheel. She’s angry at Shoko for being selfish and only thinking how those days affected her, when the events impacted others around her too.

Overall, A Silent Voice is a very noteworthy watch and it will definitely pull some heartstrings especially when we see Shoya crying tears of joy in the end. Another aspect that I quite appreciate in A Silent Voice is that it doesn’t try to sugar-coat things. For instance, making the bully fall for his victim would be a total cliché and a quite boring story to watch. However, the film kept everything very real. In my opinion, watching Shoya and Shoko become real friends is way more meaningful than seeing them in a budding romance.

 

5.  THE GARDEN OF WORDS (2013)

On a rainy day, 15 year-old Takao decides to skip school. The boy goes for a walk at the park. Shortly after, Takao sees a woman (Yukari) sitting at a bench and he joins her. The 27-year-old woman is also skipping work.

While observing the woman, Takao notices her “love” for beer and chocolate. The two don’t say much to each other. However, Yukari notices the boy’s uniform and recognizes the crest. She smiles and leaves the premise with a tanka (a Japanese poem) for Takao.

The two continue to meet each other but only on rainy days. After taking a closer look at Takao’s drawings, Yukari realizes the boy’s interest in shoes. At the moment, Takao is trying to make a pair of female shoes. However, he’s struggling with the measures. As a result, Yukari offers her feet as a reference. Meanwhile, the raining season ends and the two stop meeting each other at the park.

After summer break, Takao spots Yukari at school. His classmates brief him about what happened to the former literature teacher. Yukari used to teach at Takao’s school. However, a malicious group of students started to spread false rumours about her.

The constant bullying led Yukari to skip work on a regular basis. As a result, the park became a mental refuge for the teacher. Being away from school, was Yukari’s way to escape her current problems. Unable to cope with a hostile workplace, Yukari quits her job.

Upon hearing Yukari’s story from his friends, Takao confronts the group of instigators that were targeting Yukari. The boy slaps the head behind all these rumours, but ends up in a physical with the rest of the group.

After the fight, Takao heads to the park and finds Yukari there. Meanwhile, it begins to rain heavily. As a result, the two head to Yukari’s apartment and spend the afternoon together.

Takao realizes that he has feelings for Yukari. After professing his love to her, Yukari gasps for moment. However, the teacher is quick to remind the boy the reality of things. First, she’s a teacher. Second, the teacher is moving back to her home town soon.

The boy excuses himself and leaves Yukari’s apartment. Shortly after, Yukari realizes the reason behind Takao’s negative reaction. Therefore, she runs after him. At the stairwell, the boy berates at Yukari for being secretive and playing with his feelings. The teacher embraces Takao and explains how he actually saved her during their mornings at the park.

In the end, Takao continues his studies in Tokyo, while Yukari starts teaching again in her home town. During winter, Takao returns to the park. After reading a letter from Yukari, he places a pair of shoes (the ones he made for her) at the bench. Then, he states his desire to meet her again, once, he finds his own path.

my thoughts 

The Garden Of Words is a very intimate cinematic experience. Watching the film feels like reading someone else’s personal letters.

As the story unravels, the viewer is basically following two lonely strangers developing a real connection without knowing much about each other. Yukari and Takao don’t know each others’ names up until the moment the teacher shows up at the boy’s school.

What is The Garden Of Words about? It starts with loneliness, but then it ends, with a more hopeful message: ageing is not the same as growing up and that’s okay. A fine example of this is Yukari.

 

Before meeting Yukari, Takao had this idea that being an adult was the best because he thought they have it all figured out. However, Yukari proves him the completely opposite. She’s older than Takao, but she is just as lost as he is. In other words, the teacher does not have her life together and is still trying to find her path.

The Garden Of Words tries to show its audience the following: the transition to adulthood is an ever going process. There’s no magic switch. People don’t become an adult (mentally) once they hit a certain age. Life happens and people figure out things as they go.

Having said that, the world of adults is a social construct more than anything else. There are many rules trying to dictate what should one do as an adult. However, there is no guide that actually teaches people how to become adults.

Another interesting theme in The Garden Of Words is the beauty of anonymity. Takao opened up to Yukari and told a complete stranger his most intimate secret: the desire to become a shoemaker. No one else knows how serious Takao is about his secret passion: not even his mother, brother or close friends. As for Yukari, she showed Takao her least flattering facet: an adult who skips work in order to avoid her current problems.

Overall, The Garden Of Words is a beautiful film, visually and story-wise. It’s definitely one of those films that lingers in your heart. One can watch over and over again and still find new nuances.